Tim Skold: Then and Now
Before there was Vains of Jenna...
Before there was Hardcore Superstar...
There was Shotgun Messiah. Formally Kingpin, the band moved from Sweden to Los Angeles in the early 1980s and changed their name to Shotgun Messiah. From the beginning, bassist Tim Skold was the star of the band, but he wasn't the original singer -- that was reserved for Zinny J. Zan.
After the debut, Zinny J. Zan left the band and Tim Skold took over singing duties. It was during this era that the band released the album Second Coming. After this album, the band -- and especially Tim Skold -- moved in a more industrial direction. A handful of years later, Skold found himself working with Taime Downe of The Newlydeads, and later in his current gig with Marilyn Manson.
Here's the most successful single from Second Coming: "Heartbreak Blvd."
Now, I ask you: how does such a beautiful, blonde man chop his hair and decide to go goth? Is Skold chasing trends, or is this another example of true musical evolution?
Tim Skold never had a glam voice in the vein of Sebastian Bach or even Bret Michaels. Rather, he was always more closely aligned with Taime Downe. Perhaps the gritty voice opened the doors for a successful industrial - and later - goth career?
For my money, Tim Skold did his best work with Shotgun Messiah, but that doesn't mean I don't think he's a talented musician. In fact, he's a great producer and he can play multiple instruments. Plus, there are some good qualities to Marilyn Manson, but it's just not my cup of tea.
Here's Tim Skold with Marilyn Manson:"This is The New Shit" from the album The Golden Age of Grotesque.
So, do you prefer Tim Skold with Shotgun Messiah or Marilyn Manson?
Reader Comments (23)
It's all metal....
However, given that Skold has said that his "yellow jumpsuit" got him out of Sweden (e.g., that he never really believed in the "look")... I have to imagine that the switch to Goth theatrics is just trend-chasing. But perhaps I'm overly cynical.
"(e.g., that he never really believed in the "look")... "
Yeah, it's sad how many bands from the 80s started to claim they hated 'having' to dress the way they did.
Alice Cooper calls people like that his 'disobedient children'.
Really, shotgun messiah kicked ass and everything skold has done since that has been of a lower caliber.
Wished Tim Skold and Harry Cody got back together.
As for Manson - I suppose the old saying "If you can't say something nice don't say anything at all" should apply here but I can't do that. I'm not that nice.
I can't STAND Manson and really think it's a freak. It's not a him or a her - seriously. It's just a freak with no talent for anything. So why Skold would want to be around something like that is beyond anyone's understanding.
Even the follow-up, "Violent New Breed," was great. I think it's my favorite industrial album ever.
Tim Skold, or Tim Tim, can be accused of trend jumping, but seeing that he has stayed with the goth-industrial schtick... I'd say he's found a home. So, I would just call it evolution. The format really didn't exist when he was doing Shotgun. He's not a pioneer of industrial, he's just better at it than most.
As far as Manson goes, I dig it. He's good at what he does and when everybody was being grunge and humble, he was a cocky rock star. He's an industrial/glam/cock rock hybrid. No, he's not for everyone, but I like him. He is responsible for Quiet riot getting back together.
Back to the main topic... Tim Skold is cool. Now that he left Manson, let's hope Shotgun Messiah rides again.
Skold's best work.
i think he can became when he combine his old and new style