Monday
Sep072015
Michael Monroe, 'Old King's Road' -- New Video

Happy Labor Day! Enjoy some great new Glam from Michael Monroe, still one of the best in the business. Here's the video for "Old King's Road" from the upcoming album Blackout States.
Reader Comments (12)
30+ years as rock's reigning glam vocalist!
Rock on!
If the worst thing I ever did was "Jeruselem Slim" with Steve Stevens, I should be so lucky.
Literally nearly EVERYTHING the guy has ever done is incredible and this latest song is no different.
And one of the big reasons is his influences. Just freeze frame on the walls of the apartment where they filmed the video. Not only has he been influenced by them, he knew/knows 'em all!
Saw him in a small club on the Sensory Overdrive tour, he just kills it. When you consider that he has a couple of years on Vince Neil and Axl Rose (both of whom are so far past their prime it's a joke),, you really have to wonder why the latter are filling arenas while MM maintains such a low profile.
And it still came out pretty good.
Great performer! Always high energy!
https://www.youtube.com/watch?v=CHliXe_s_A8
But I think they write some pretty solid songs and Tobias Forge (er, I mean, Papa Emeritus) is an entertaining singer with a good voice.
Don't get me wrong: they don't hold an upside down candelabra when compared to Monroe. Just curious.
I also think they have just gotten stronger as a band the more they have figured out what their sound is supposed to be (that first album seems like a band with an image in search of a sound). But these last two (and the EP) have some really quality tracks on them: "Year Zero," "Monstrance Clock," "If You Have Ghosts" (the Erickson cover, though the original is far weirder), and "Cirice."
They also have the ironic imagery/lyrics down pat. It is a well-developed theatrical plan, trading off as many pop culture and film references (_Silence of the Lambs_, _Metropolis_) as they do occult/Satanic symbols and themes. Their videos alone are a throwback to the old 60s and 70s horror films of people like Argento or Fulci and in line with the retro-style of current directors like Ti West. And they complete it with great flashes of humor.
A friend asked me how I could like Ghost. My immediate reply was (and I was thinking of "Clock"): they are like a car crash of classic Slayer and the Beach Boys. Probably not entirely apt; but you get my point. I am sold.